Showing posts with label Movie Remake. Show all posts
Showing posts with label Movie Remake. Show all posts

Monday, June 22, 2009

These Three (1936) & The Children's Hour (1961)

"The Children's Hour" is a remake of "These Three", but both films were directed by William Wyler. In both films, Karen Wright (Merle Oberon, Audrey Hepburn) and Martha Dobie (Miriam Hopkins, Shirley MacLaine) open a school for girls in a small town. Karen gets engaged to one of the local doctors, Dr. Joe Cardin (Joel McCrea, James Garner) and trouble seems to follow the engagement. One of the school girls stirs up trouble in the form of gossip. In "These Three" the gossip is that Martha is having an affair with Karen's fiance'. In "The Children's Hour" the gossip is that Karen and Martha are having an affair. In both cases, the gossip spreads like wild fire in the small town and all three reputations, as well as the school, is destroyed.


Shirley MacClaine and Audrey Hepburn in "The Children's Hour"

If you are here, then you are a classic movie fan and probably know the deal about the censorship that forced "These Three" to change what the gossip tidbit was about. I am shocked to say that after watching both, I prefer the censored version, the original. One of the main reasons is the girl that starts the trouble, Mary Tilford, is played brilliantly by Bonita Granville. What a scheming, mean, little wretched girl. However, in the second version, the little girl is a terrible actress and looks like a cross between a lost puppy and a brat. I can't even stand watching her after having watched Bonita rock the role. It is surprising how one weak link in a cast can really do such damage to a movie.

The second reason I prefer the original is the script. In the original, they spend a good bit of time setting up the story about the girls graduating from college, neither having anything to do, so they decide to go to Karen's house that she inherited and look for jobs. It shows them deciding to fix the house and start a school. It shows the awful aunt popping in and out for handouts, which makes more sense about why the aunt is there in the first place. Then it also shows Karen meeting Mary and her Grandmother, with her Grandmother offering to send Mary there and rally some other folks around the school. That helps the audience to understand why they put up with Mary so long and also why when Mary was pulled out of school, everyone else went too. A lot of the background work in the beginning of "These Three" make it a much more even and complete movie, in my mind.

The third and final reason I will mention here about why I prefer the original is the tidbit of gossip. I agree that the movie isn't really about WHAT the gossip is, just what gossip will do to reputations and livelihoods. However, despite "The Children's Hour" being one of the first to start to deal with lesbianism, I am still offended by how it is portrayed as unnatural and an illness. I would rather see the story changed to a heterosexual relationship than to hear the awful way it is handled in this. I understand, it was more than 40 years ago and this was the best they could do then. I really do, but it really is uncomfortable to watch. I am sure it is truthful to the time as to what most thought about homosexuality so it is hard to knock their attempt - I just ... ugh.

Of course, I will say that there are some great things about the 1961 version. For starters, Audrey Hepburn portrays a woman so sweet and so obviously in love. I felt that was an improvement over the 1936 version. No offense to Oberon, but Hepburn radiates love when she looks at Garner in a way that made Oberon look like she was indifferent to McCrea. Also, hands down, Shirley MacClaine blows Miriam Hopkins version off the screen too. I always forget what a great actress MacClaine is. Lastly, one of the best things about the latter version is that it is visually stunning. The cinematography and the shots are all brilliant - much better than the the 1936 version. "The Children's Hour" really worked in some clever angles and it really paid off.

In short, both movies are worth watching, but "These Three" was definitely my preferred version. Mainly because the story feels more complete and there isn't a performance that sticks out as bad. In "The Children's Hour", while I think Hepburn and MacClaine showed more depth and emotion than the previous actresses, the chopping of the script and the absolutely horrid performance by Mary made it a little confusing and somewhat painful to watch.

Sunday, February 22, 2009

The Women (1939) and (2008)

A group of socialite women is shocked when one of their own, Mary (Norma Shearer) (Meg Ryan), is being stepped out on by her husband. Mary is unsure if she should confront her husband about the affair with the shop girl, Crystal (Joan Crawford) (Eva Mendes) or keep quiet about it till the storm blows over.


Norma Shearer, Joan Crawford and Rosalind Russell in the 1939 version

I had misaligned expectations when I watched the original. I knew it was an all female cast, but that was about all I knew. I mistakenly was super excited about seeing a film that is all about girl power since this is a film made by women, obviously, for women. Instead, it was a bunch of hens who were delighted by each other's misery and even more delighted to gossip about said misery. I realize that is how women are stereotyped, but I really hated seeing that portrayal. It was a bit disheartening and made me have a hard time "enjoying" the movie.

Of course, having said that, the performances were really amazing. Norma Shearer was a wonder as the hurt wife. Rosalind Russell as the biggest hen of them all, without any loyalty whatsoever. Joan Crawford was delightful as the uber-bitch mistress, totally unapologetic about her role in the whole mess. I don't mind some women being shown as catty, because there really are some of them out there, but this film would have you believe the whole lot of us are like that and can't be trusted to be a true friend. That really made me uneasy about the whole film. I really should have enjoyed it for what it was probably, but somehow, I think I misplaced my funny bone.


Annette Bening, Meg Ryan and Eva Mendes (along the bottom) for the 2008 version

Fast-forward to the 2008 version, and my biggest disappointment is corrected. Instead of spending the entire movie tearing each other apart, they are supportive of each other. Instead of Sylvie (Rosalind Russell) (Annette Bening) sending Mary into Saks on purpose to find out the truth about her husband like in the original, she tries to prevent that from happening. It really is nice to see that change about how the women were portrayed.

The problem in changing that is that you really did lose something. The actresses didn't stand out as much in this version. The break-neck speed that I love in older movies, is slowed way down for the new version. The acerbic wit is mostly toned down because they aren't as bitchy now, and I really did love the wit of the original. Also, Eva Mendes, though seriously smoking hot in this, will never be the uber-bitch that Joan played so deliciously in the original. Joan's wicked performance in the bath tub scene was perfect in the original. Plus, at the end when Debra Messing is talking and she says, "and I am sorry I can't stay here long" I was already screaming at the TV, "PLEASE don't let it be a rush to the hospital labor scene with all the labor room antics. I am so sick to death of those scenes in romantic comedies!" Well, you can guess what happened there. So you can guess I really didn't enjoy the last 10 - 15 minutes of the remake.

So I realize I am totally talking out of both sides of my mouth on this. Why can't the updated one have the fast pace and the razor-sharp wit of the first, while retaining the theme of women friends actually WANTING the best for each other and supporting one another? You may wonder which one I liked better? If I had to rate the two, I would definitely have to say the original was a better movie, hands down. However, if you ask which I enjoyed more? Probably the remake, and that is pretty sad for me to say. I think you definitely need to see both and draw your own opinions.

For another take on it, please read Jenny's brilliant take on the original, as compared with another modern day chick flick, the Jane Austen Club. Check it out here.

Sunday, November 23, 2008

Remakes - Better The Second Time?

I am not a classic movie expert, but a lot of my friends think I am, so I guess I play one in real life. It isn't my fault I pretend to be an expert. I am in my early 30s and it seems that most of my peer set have only watched b&w films under duress. By comparison, I am an expert even though I feel guilty for even using that term when compared to true experts like my dear friend Jenny.

So many times in day-to-day conversations with the classic movie clueless, I end up in the role of expert trying to get someone interested in watching one of those icky old movies. The easiest way, I think, is when someone raves about having seen some recent movie and I interject "Well, if you loved that, you really should see the original." Of course, they almost always have no idea the movie they had been raving about was a remake and we all know, the original is always better than the remake. Or is it?


With such wonderful actors - how could it all go so horribly wrong?

I bring this up because I watched the original, 1968, "Thomas Crowne Affair" on TCM today. Oy!! I had to force myself to stay with it. There were a few good scenes with Steve McQueen and Faye Dunaway, but overall, the movie was hard to watch. It rambles on with the gimmicky multi-image screen that didn't work and was very distracting. The 1999 version is clever, focused and sexy as hell. Did I mention sexy as hell? I mean it. Yowser, and in a good way. Much better than the original.

So after the movie ended I started pondering, what movies were actually better the second time around? I decided to make a short list, in no particular order, and see if anyone wanted to add to it or disagree with me.

1) His Girl Friday (Oh yeah, I had to start with a Cary Grant one. Yippee!)

2) Ben-Hur

3) The Maltese Falcon

4) Scarface

5) The Thomas Crowne Affair

I can list a few more - mostly sci-fi or horror genre, but want to see what others anyone might want to toss out there. Anyone disagree about anything I listed? Chime in.